The Nikkor S Plena is a 135mm f/1.8 Z mount portrait lens

Sep 27, 2023

John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

The Nikkor S Plena is a 135mm f/1.8 Z mount portrait lens

Sep 27, 2023

John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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It looks like Nikon’s finally answered what they’re going to replace the old Nikon 135mm f/2 DC lens with. Naturally, it’s a Z mount lens, it’s the Nikkor Z S 135mm f/1.8 S Plena (buy here), and wants to be the new portrait standard for Z mount.

Of course, the new lens doesn’t gain the defocus control of its F mount predecessor, but it does get a slightly wider aperture. This should make for some very mushy backgrounds – if that’s your thing.

YouTube video

Nikkor Z 135mm f/1.8 S Plena – “Flawless Bokeh”

The new lens is not cheap, by any stretch of the imagination. At two and a half grand, this one’s definitely for the pros. So one would expect a pretty high calibre lens. The “S” moniker also implies that this is part of Nikon’s higher-end range.

Nikon claims to have delivered it or at least, they will when it starts shipping – with a portrait lens that offers “flawless bokeh” with “no onion-ring or cat-eye bokeh” and “no need to worry about colour fringing or vignetting”.

They also say that it offers “exquisite rendering”, with the kind of “striking subject separation” one expects from a portrait lens this long.

Fast, smooth and quiet AF for stills or video

A full-frame lens like a 135mm – pretty much all of them – is going to have a certain look that appeals to portrait photographers. The distance you have to be at your subject given its field of view provides a very flattering look.

The fast and smooth autofocus of this lens along with recent autofocus tracking improvements in Nikon cameras and firmware updates should make for a very pleasant combo to shoot. But it’s not just for photographers.

The AF system in the lens is also extremely quiet, allowing you to use it with full auto-focus when shooting video, too. Of course, you wouldn’t ideally want to use the in-camera microphone with a lens like this anyway, but if you have to use one on-camera, it shouldn’t pick up the AF motor.

Also for the video shooters, it features an internal focusing system, which means the lens doesn’t change length as it racks from minimum focus distance to infinity. Nikon says that this design inherently suppresses focus breathing.

Nikkor Z 135mm f/1.8 S Plena Specs

Focal Length135mm
Maximum Aperturef/1.8
Minimum Aperturef/16
Lens MountNikon Z
Lens Format CoverageFull-Frame
Angle of View18°10′
Minimum Focus Distance82cm
Maximum Magnification0.2x
Optical Design16 Elements in 14 Groups
Diaphragm Blades11, Rounded
Focus TypeAutofocus
Image StabilizationNone
Tripod CollarNone
Filter Size82mm
Dimensions (ø x L)98 x 139.5 mm
Weight995g

Price and Availability

The Nikkor Z 135mm f/1.8 S Plena is available to pre-order now for $2,496.95 and is expected to begin shipping in the coming weeks. I expect that we’ll receive a notification in the next week or so about how Nikon underestimated demand and shipping will be delayed.

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John Aldred

John Aldred

John Aldred is a photographer with over 20 years of experience in the portrait and commercial worlds. He is based in Scotland and has been an early adopter – and occasional beta tester – of almost every digital imaging technology in that time. As well as his creative visual work, John uses 3D printing, electronics and programming to create his own photography and filmmaking tools and consults for a number of brands across the industry.

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